KWONG Wing Kwan lives and works in Hong Kong. Kwong received her BA in Fine Arts from The Chinese University of Hong Kong in 2012. Integrating with Kwong's feelings of disturbance, fear, and the transience of life, her visceral works compress layers of objects and scenery imbued with narratives. These works can be seen as projections of her psyche. Continuing the series "Good Morning, Sweet Dreams," in which Kwong portrays contrasting themes of tenderness and violence, familiarity and distance between the interior and exterior, her recent works accentuate sceneries oscillating between day and night, in exploration of the concept of “home” and ones’ infatuation towards it.
Since 2021, some of Kwong's friends and relatives have been relocating from their "homes" for various reasons. The familiar landscapes that were once intertwined with their surroundings now encompass not only the enchanting glimmers of domestic lighting but also images of decay and captivating glamour that continuously revitalise the city. Despite being at home, the feeling of homesickness persists.
Kwong has participated in multiple exhibitions, including solo exhibitions titled “Good morning, sweet dreams. - Midnight Sun” (cadet capela, Paris, 2023), “Good morning, sweet dreams.” (Gallery EXIT, Hong Kong, 2021), "Suspending World" (Artify Gallery, Hong Kong, 2014), "Clear-air Turbulence" (Grotto Fine Art, Hong Kong, 2013). Group exhibitions include “Frieze Seoul" (Seoul, 2024),“Focal point 2" (Long Story Short, New York, 2023),”Asia NOW 9th Edition" (Paris, 2023), "Taxonomies of Imagination" (Make Room, Los Angeles, 2022), "Art Basel Hong Kong" (Hong Kong, 2021-2025), "Grotto 20th Anniversary" (Grotto, Hong Kong, 2021), "In/outward" (Link Gallery, Beijing, 2017), "ART MO International Art Fair" (The Venetian Macao Cotai Expo, Macau, 2014), and "Art Nova 100" (Touring exhibition sites, China, 2014). She was the recipient of Grotto Fine Art Award and Culture Corner Art Academy Fine Arts Award in 2012, both awarded by The Chinese University of Hong Kong. The artist currently lives and works in Hong Kong.
結合自身對於衝擊與恐懼以及世態變遷的體察，鄺詠君在作品中壓縮了帶有敘事性線索的景物，呈現當中的心理投射。「日出｜晚安」系列的作品，描繪了室內與室外之間的一種溫柔與暴力、熟悉與距離等的反差感。承續該系列的主題，近作以難辨晝夜交替的景觀為主軸，探討對於「家」的定義與執迷。
自2021年開始，本來居住於香港的親友因為各種原因，搬離了曾經是屬於自己的家。玻璃的反射與似是親切的景觀所交疊著的，不再只是家中的燈影，亦是城市中迴映著的糜爛與璀璨的印象。即使身在家鄉之中，卻無法擺脫鄉愁的羈絆。
於香港中文大學修畢藝術系學士學位，曾入選「青年藝術100」，並榮獲「文苑藝術創作獎」及「嘉圖藝術創作獎」，現居於香港生活及創作。個人展覽包括：「日出｜晚安—白夜」（2023年，巴黎，cadet capela）、「日出｜晚安」（2021年，香港，Gallery EXIT）、「懸浮於世」（2014年，香港，Artify Gallery）及「晴空亂流」（2013年，香港，嘉圖現代藝術）；作品亦曾於「Frieze Seoul」（2024年，首爾）、「Focal point 2」（2023年，Long Story Short，紐約）、「Asia NOW 9th Edition」（2023年，巴黎）、「Taxonomies of Imagination」（2022年，Make Room Los Angeles，洛杉磯) 、「香港巴塞爾藝術展」（2021年-2025年，香港）、「透內。逸外」（2017年，北京，力畫廊）及「The Spirit of Ink：12 香港藝術家」（2013年，香港，蘇富比藝術空間）等藝術展覽展出。
Since 2021, some of Kwong's friends and relatives have been relocating from their "homes" for various reasons. The familiar landscapes that were once intertwined with their surroundings now encompass not only the enchanting glimmers of domestic lighting but also images of decay and captivating glamour that continuously revitalise the city. Despite being at home, the feeling of homesickness persists.
Kwong has participated in multiple exhibitions, including solo exhibitions titled “Good morning, sweet dreams. - Midnight Sun” (cadet capela, Paris, 2023), “Good morning, sweet dreams.” (Gallery EXIT, Hong Kong, 2021), "Suspending World" (Artify Gallery, Hong Kong, 2014), "Clear-air Turbulence" (Grotto Fine Art, Hong Kong, 2013). Group exhibitions include “Frieze Seoul" (Seoul, 2024),“Focal point 2" (Long Story Short, New York, 2023),”Asia NOW 9th Edition" (Paris, 2023), "Taxonomies of Imagination" (Make Room, Los Angeles, 2022), "Art Basel Hong Kong" (Hong Kong, 2021-2025), "Grotto 20th Anniversary" (Grotto, Hong Kong, 2021), "In/outward" (Link Gallery, Beijing, 2017), "ART MO International Art Fair" (The Venetian Macao Cotai Expo, Macau, 2014), and "Art Nova 100" (Touring exhibition sites, China, 2014). She was the recipient of Grotto Fine Art Award and Culture Corner Art Academy Fine Arts Award in 2012, both awarded by The Chinese University of Hong Kong. The artist currently lives and works in Hong Kong.
結合自身對於衝擊與恐懼以及世態變遷的體察，鄺詠君在作品中壓縮了帶有敘事性線索的景物，呈現當中的心理投射。「日出｜晚安」系列的作品，描繪了室內與室外之間的一種溫柔與暴力、熟悉與距離等的反差感。承續該系列的主題，近作以難辨晝夜交替的景觀為主軸，探討對於「家」的定義與執迷。
自2021年開始，本來居住於香港的親友因為各種原因，搬離了曾經是屬於自己的家。玻璃的反射與似是親切的景觀所交疊著的，不再只是家中的燈影，亦是城市中迴映著的糜爛與璀璨的印象。即使身在家鄉之中，卻無法擺脫鄉愁的羈絆。
於香港中文大學修畢藝術系學士學位，曾入選「青年藝術100」，並榮獲「文苑藝術創作獎」及「嘉圖藝術創作獎」，現居於香港生活及創作。個人展覽包括：「日出｜晚安—白夜」（2023年，巴黎，cadet capela）、「日出｜晚安」（2021年，香港，Gallery EXIT）、「懸浮於世」（2014年，香港，Artify Gallery）及「晴空亂流」（2013年，香港，嘉圖現代藝術）；作品亦曾於「Frieze Seoul」（2024年，首爾）、「Focal point 2」（2023年，Long Story Short，紐約）、「Asia NOW 9th Edition」（2023年，巴黎）、「Taxonomies of Imagination」（2022年，Make Room Los Angeles，洛杉磯) 、「香港巴塞爾藝術展」（2021年-2025年，香港）、「透內。逸外」（2017年，北京，力畫廊）及「The Spirit of Ink：12 香港藝術家」（2013年，香港，蘇富比藝術空間）等藝術展覽展出。
